#Glen matlock young how to

вЂњI didnвЂ™t change position during the entire gig: I only sat down after I took the last shot.вЂќ While the group ran through their set вЂ“ a few originals and covers of 60s songs by Dave Berry, the Who and the Small Faces вЂ“ PT Madden shot two rolls of film. Strummer later recalled: вЂњAt the Nashville I walked out on stage while they were getting their sound check together and I heard Malcolm going to John, вЂDo you want those kind of shoes that SteveвЂ™s got, or the kind that PaulвЂ™s got? What sort of sweater do you want?вЂ™, and I thought, вЂBlimey, theyвЂ™ve got a manager, and heвЂ™s offering them clothes!вЂ™ To me it was incredible.вЂќ Heavily styled in McLaren and Westwood designs from the Sex boutique at 430 Kings Road, the Sex Pistols looked like nobody else. It was the Sex PistolsвЂ™ second appearance at the venue, but they were not yet a draw: although theyвЂ™d had a few press mentions вЂ“ including Neil SpencerвЂ™s review of their Marquee show in the NME вЂ“ they had no advertisements, no major feature, no record company backing. On 3 April, the Sex Pistols were supporting StrummerвЂ™s band the 101ers, one of the up-and-coming groups in the London pub rock scene. Pub band вЂ¦ Joe Strummer (left) with his band the 101ers, which the Sex Pistols were supporting at the gig.

I had never used a 35mm camera before, mainly because the cost of a roll of film equalled the weekly rent of my Camden Road bedsit.вЂќДЄrriving early at the venue, he asked the bandвЂ™s manager, Malcolm McLaren, for permission to take photographs: вЂњI remember the Pistols dragging in their gear and a nervous Joe Strummer standing next to me watching them.вЂќ If they split up at that gig I would have my photographic time-travel machine.

#Glen matlock young how to

вЂњThe worry prompted me to seek out my tutor the next day and ask him to show me how to operate a 35mm camera so I could take photos at the Nashville. I gasped, and thought, вЂIf they split up I want something to remember them by so I can recreate this experience.вЂ™вЂќ The tension between the band members was so strong that as Rotten made his way up the clubвЂ™s staircase, Steve Jones placed his right hand under all his guitar strings and then, in one astonishing movement, ripped them right off the guitar and stood holding them in pure and total anger like he had ripped all the hair from his head. вЂњAt that gig I became terrified they were going to implode after Rotten walked off stage in the middle of the set. This means something and there is no one here.вЂ™вЂќ

It has an atmosphere of expectation which is totally exciting. It is not like any other gig I have ever been to. My main memory is thinking, вЂThis is extremely important. Also the silences and pauses between songs would go on for five minutes. What was interesting was what happened before and after the actual music. вЂњI was there before the doors were opened,вЂќ the photographer remembers. The Sex Pistols were at the 100 Club on Oxford Street on 30 March 1976. The camera was a shield вЂ“ with it held to my face I could easily out-stare Rotten He had attended their very first show at St MartinвЂ™s College of Art in November 1975 and watched them alter the lyrics of the Small FacesвЂ™ WhatвЂ™cha Gonna Do Bout It? вЂњThey made me laugh when Rotten sang, вЂI want you to know that I hate you baby.вЂ™вЂќ After this initial encounter, he saw them again at the Marquee Club in February 1976: вЂњThat was the gig when I became fanatical about them after an irate French kid moaned, вЂBut you canвЂ™t play!вЂ™ and Glen Matlock swaggered back with, вЂSo what?вЂ™ I thought it was joyous.вЂќ PT Madden was there to photograph the Sex Pistols. The place was nearly empty: as he remembers, вЂњThere was no audience apart from about 20 rocker types at the bar.вЂќ Moving aside the tables in the audience area, he braced himself against the back of a chair to create an ad hoc tripod, aimed his camera at the stage and waited for the object of his obsession.

O n 3 April 1976, a young art student called PT Madden positioned himself in front of a deserted stage at the Nashville, a music pub in LondonвЂ™s West Kensington.